The mud smells dark and rich; the bird call is frenzied; the wet leaves and twigs glow like embers in the fast fallen dusk. Hello Fall. My favourite time of year is digging in and the palette of the season is a personal refresher for where my aesthetic choices are mostly rooted.
Taking stock of the body of work I showed at this past summer’s Artists Open Studio Tour on Orcas Island, it felt good to discover an aesthetic consistency running through my ceramic work. The forest floor, ocean find and woodland imagery are repeatedly used, and so are the organic textures and my tendency to leave or reveal the natural colour of the clay body. The show was really the first time I had all my recent work displayed together and it was gratifying to see how the individual pieces, whether functional, wearable or wall art, could come together to form a cohesive tableau.
Participation in the Studio tour provided the motivation for me to finally write an Artist’s Bio, and to explore various ways to display work, label displays, create visual flow, and other nitty gritty aspects of putting up a show that is not always a top priority because it takes precious time away from making stuff! However, the best thing for me over the three-day tour was getting practice in talking about my art to absolute strangers. Many thanks to Sharon Schmidt who hung out with me on opening day! Just hearing her introduce my work to guests helped me experience how a gallery visitor would encounter my creations for the first time. I realised how basic and crucial a skill it is for any artist to be able to talk comfortably about her own work, and, at a level that resonates with the viewer. I have been a docent many years and led many a gallery tour, but talking up my own work is an ongoing challenge. I know it comes with practice and I am working on it.
Come in soon and I’ll work my spiel on you!